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For this set-up we sometimes employ a Canon MP-E 65mm 1x-5x macro zoom lens for ultra close-ups.Īlmost all photos in the field are taken with camera and lens mounted on a Really Right Stuff B55 Pro ball head or Arca-Swiss B1 Monoball head on a Gitzo Mountaineer 2227 carbon fiber tripod with tilt-column (now in the Explorer series, below right), providing maximum stability and enabling unusual shooting angles. Occasionally we bring an organism or object back to the lab for tabletop macrophotography, in which case the light source is often an Ott-Lite daylight-balanced fluorescent lamp.
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Rotating polarizing lenses are used for some outdoor shots to reduce glare and enhance color. A Canon Speedlite 580EX is employed if a stronger flash is need for general photography a Visual Echoes Better Beamer attachment allows the light to be focused when telephoto lens are used. We much prefer the effects of available natural light, although we sometimes use built-in flash or a Canon MT24EX Macro Twin Lite electronic flash (left) in low-light situations or to offset the effects of wind by allowing faster shutter speeds. Most photos are taken when we serendipitously come across an interesting organism or object as we walk the trails around Hilton Pond. A Canon 16-35mm f/2.8L wide angle zoom is used for certain landscape shots. Distant shots employ the 100-400IS f/4.5-5.6L telephoto zoom (occasionally with 1.4X or 2X extender).
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The Canon 28-135mm f/3.5-5.6 internal stabilization zoom serves as a multipurpose lens, especially on walk-abouts. With the 100mm macro we sometimes attach Canon's EF12mm II or EF25mm II extension tubes to allow closer focusing. Hand-held photos of birds bigger than hummingbirds and warblers are taken with the Canon 50mm compact macro (with or without the optional 1:1 adapter) our arms are too short to get bigger birds in the frame when we use the 60mm! For some close-ups we may use a Canon 180mm f/3.5L macro or, more often, the lighter-weight Canon 100mm f/2.8 macro-particularly for butterfly and other insect photos. Most close-ups are taken with Canon's 60mm f2.8 macro.
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(As a plus, the Live View is kinder to our back when our subject is low to the ground or in an awkward location!) Images are captured in JPEG and RAW format with the 7D, which also has full high-definition video.Īlbino hatch-year female Ruby-throated Hummingbird (above) In June 2008 we received donation of a Canon 40D (10.1 megapixels) a year later we traded up to a Canon 7D (18 megapixels) that is ideal for macrophotography because it has easier access to Live View through a large LCD screen on the camera back. Since then we first used a six-megapixel Canon D60 digital (right) and then a Canon 20D (8.2 megapixels) these cameras allow attachment of various interchangeable Canon single lens reflex lenses. Prior to the fall of 2002, on-line photos were taken with an Apple QuickTake 150 and then a Sony Mavica FD83 digital camera at "standard" resolution for the latter, the macro setting was used for close-ups with an initial image size of 1216 x 912 pixels.
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Some hardware and software products mentioned below were donated to the Center in support of our work.īoth Web sites were constructed exclusively with Adobe PageMill (now GoLive CS 7.0.2) on Apple Macintosh computers and currently on an iMac (left) with 2.66 GHz Intel Core Duo processor, originally using Mac OS 9 and now OS X 10.6 (Snow Leopard)-the only way to fly. The sites are housed on Comporium servers in Rock Hill, South Carolina USA as an in-kind gift to the Center. The Web sites for Hilton Pond Center for Piedmont Natural History and Operation RubyThroat: The Hummingbird Project were designed and are maintained by executive director Bill Hilton Jr. All Web site photos, maps, charts & text © Hilton Pond CenterĬrab Spider consuming a Hoverfly (AKA Flowerfly) on a
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